Amie Potsic presents Midnight Mass at The Delaware Contemporary

December 2, 2019

Amie Potsic presents Midnight Mass at The Delaware Contemporary, January 24 - April 25, 2020.
Opening Reception: Friday, February 7, 5 - 9 PM.

Artist Statement – Midnight Mass
My work references the sensory experience of being within the forest while encouraging us all to appreciate and preserve its future. Incarnate environmental explorations, my photographs and installations invite you to connect with your own perception of nature in a manner that is both intimate and enchanting. I focus on the beauty and mystery of the forest to share my sense of wonder, develop our connection to trees, and encourage environmental protections. Personal experience underscoring the urgency of climate change, I draw attention to deforestation by creating visceral and cerebral connections to trees and the natural world.

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

Midnight Mass is a site-specific installation created from over 250 feet of silk. The semi-translucent silk with photographic imagery from the forest weaves its way through the air to arch, bend, and arabesque in the sky. The panels extend from the entrance reaching up toward the looming windows behind to be backlit like stained glass. The installation fills the space in graceful, abstract lines and draping, drawing the eye up toward the apex of the room. Looking up at the illuminated silk, a conjured sense of our own scale, akin to what we feel in a cathedral or looking up at the forest canopy, enhances the experience of the artwork and museum’s architecture.”
- Amie Potsic

Biography
Amie Potsic, MFA is an accomplished photographer and installation artist living in the Philadelphia area whose work addresses cultural, personal, and natural phenomena. Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Royal College of London, England as well as in museums and galleries throughout the United States. Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University, graduating with Distinguished Honors and a member of Phi Beta Kappa Honor Society. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute, published her work in The San Francisco Chronicle and The Philadelphia Inquirer, and has been a guest lecturer at The International Center of Photography. Potsic is currently the CEO & Principal of Amie Potsic Art Advisory, LLC and Chair of the Art in City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia.

“Some artists devote entire careers to a single obsession. Amie Potsic manages to divert a series of obsessions into clear and direct narratives that nonetheless build seamlessly into her own artistic portfolio.... The full scope of her oeuvre interacts and builds a distinct artistic voice.”
- Nicholas Shonberger, Independent Scholar


Click here to access the full Midnight Mass press kit.

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

THE STORY OF ART AND CLIMATE: CREATING CHANGE THROUGH ART AND ACTION

Image featured: Amie Potsic "Vision" Mixed Media on Panel 36"x 72" 2019 © Amie Potsic 2019.

Image featured: Amie Potsic "Vision" Mixed Media on Panel 36"x 72" 2019 © Amie Potsic 2019.

November 20, 2019

Join us for a lively discussion and presentation on the positive impact of the arts on the Climate Change movement and how creativity and storytelling can create change. As part of the 24 Hours of Reality, an international day of Climate presentations offered by Al Gore’s Climate Reality Project, Hot Bed will host an artist panel discussion and climate presentations with scientific experts in the midst of Girl in the Garden: Danger In Paradise a solo exhibition by Amie Potsic which focuses on climate change and gender roles through the lens of deforestation and wildfires. One Tree Planted has committed to planting one tree for every attendee at this presentation. Please join us to learn how you can create change, engage in the arts, and have a tree planted in your honor. Click here to download the Climate Change Resource Guide.

The Story of Art and Climate:  Creating change through art and action

To RSVP: https://www.eventbrite.com/e/the-story-of-art-and-climate-creating-change-through-art-and-action-tickets-79199348383

Artist Panel:

Amie Potsic, Ana Vizcarra Rankin, Marguerita Hagan & Deirdre Murphy

Moderators and Presenters: 
Al Morales: Presenter and Moderator, Climate Reality Project
Alana Morales, Youth Presenter: Climate Reality Project
Dr. Erik Cordes, Associate Professor, Vice Chair, Ecology and Integrative Biology, Temple University & Alexis Weinnig, Graduate student, Department of Biology, Temple University: Science Experts and Presenters

About 24 Hours of Reality: https://www.24hoursofreality.org/
About One Tree Planted commitment for event:  https://onetreeplanted.org/
Event is free and open to the public.

Click here to access the full Girl in the Garden press kit.

Out and About: Fall Art Season in Philadelphia & Wilmington

October 11, 2019

“I recently had the pleasure of seeing a number of exhibitions by artists whose work acts as a catalyst to important issues while also being conceptually and aesthetically rigorous.  Deirdre Murphy’s exhibition “Oculus” is the result of a residency at the University City Science Center.  She has created gargantuan paintings inspired by gazing at molecules in the microscope that are lyrical, dramatic, and painstakingly created.  I loved the show even more after interviewing her for a podcast on Art Watch Radio .  I also visited Ana Viscara Rankin’s solo show at Kitchen Table Gallery where she interprets maps and human migration through abstract and layered paintings, which like Murphy’s work, comment on climate change and how we affect our environment.  Her installation was very compelling and joined the sky and earth both literally and figuratively.  In “That’s When We Flew” at UBIQ, Aubrie Costello has expanded her silk graffiti to include imagery of her creative collaborations on silk as well as wearable art.  Her opening event was an exciting alchemy of art, fashion, music, and fun.  Her recent collaborative work involves performers and creatives that enliven her works and allow them to move in the world and amidst relationships.  It was wonderful to see her silk installations and wearable creations engage audiences in new and unexpected ways. 

Erica Zoe Loustau mounted a large-scale, site-specific installation in the atrium of the Delaware Contemporary for all of 2019.  “New Heights” is grand, abstract, colorful, and dynamic.  I wanted to lay under it and bask in its grandeur and subtle movement.  Her work is always incredibly complex and impressively presented.  This installation is no exception and greatly enhances the industrial architecture of the museum.  Also at the Delaware Contemporary, John Singletary’s solo exhibition “Anahata,” was an experience to savor.  In the darkened gallery, his black and white photographic imagery was aglow on OLED electronic canvases where the imagery moved, pulsed, and morphed before my eyes.  Anahata is Sanskrit for “unhurt” or “unbroken” and corresponds to the energies of the heart and a harmonic connection to the celestial realm.  Being in his gallery felt like a religious experience as the imagery conjures ritual, dance, prayer, and human connection.  The figures engaged in movement, the sound of abstract sonic harmonies, and the glow of modulating light were magical.  His work is a testament to what can come from elaborate collaborations with fellow artists as his work involved numerous contributors to bring the totality to fruition.  Comingling ancient symbolism with modern technology, his work illuminated the power of black and white photography at its most luscious.”

- Amie Potsic

Artist Credit: Aubrie Costello

Artist Credit: Aubrie Costello

Artist Credit: Aubrie Costello

Artist Credit: Aubrie Costello

Artist Credit: Deirdre Murphy

Artist Credit: Deirdre Murphy

Artist Credit: Deirdre Murphy and Scott White

Artist Credit: Deirdre Murphy and Scott White

Artist Credit: Deirdre Murphy

Artist Credit: Deirdre Murphy

Artist Credit: Deirdre Murphy

Artist Credit: Deirdre Murphy

Artist Credit: Ana Viscara Rankin

Artist Credit: Ana Viscara Rankin

Artist Credit: Ana Viscara Rankin

Artist Credit: Ana Viscara Rankin

Erica Zoe Loustau at The Delaware Contemporary "New Heights" 2019

Erica Zoe Loustau at The Delaware Contemporary "New Heights" 2019

Erica Zoe Loustau at The Delaware Contemporary "New Heights" 2019

Erica Zoe Loustau at The Delaware Contemporary "New Heights" 2019

Dryads, John Singletary, 5’ x 3’ OLED Installation, Pigment Print 24” x 42”

Dryads, John Singletary, 5’ x 3’ OLED Installation, Pigment Print 24” x 42”

Providence (detail), John Singletary, 3’ x 30’ OLED Installation, Pigment Print 24” x 18’

Providence (detail), John Singletary, 3’ x 30’ OLED Installation, Pigment Print 24” x 18’

Installation View - The Delaware Contemporary, John Singletary, OLED Multimedia/Sound Installation,  Photo Credit: Rick Wright

Installation View - The Delaware Contemporary, John Singletary, OLED Multimedia/Sound Installation,
Photo Credit: Rick Wright

Out and About: SFMOMA July 2019

July 29, 2019

“I was recently in San Francisco and northern California to create new artwork and take in some inspiration. After years of renovations, the San Francisco Museum of Modern Art is well worth a visit. Having lived in San Francisco for 10 years, I used to spend a lot of time at the SFMOMA. This time around, I was fortunate to see some of my favorite artists in some amazing presentations. The Louise Bourgious: Spiders exhibition was outstanding. Having only seen single spider sculptures at a time until that point, it was a pleasure seeing a number of her spider sculptures in the same room, providing context, scale, and comparison. Her spiders are so delicate and strong at the same time, conjuring both awe and fear of the species as you walk among, under, and between them. I also had the chance to see the wonderful show Andy Warhol: From A to B and Back Again. The exhibition presents his work in chronological order and by project so each gallery shows a body of work in the context and time period of his conceptual and aesthetic trajectory. It was a very strong case for the conceptual strength of Warhol's work and his penchant for the darker underbelly of beauty, celebrity, and artifice. Additionally, seeing the works as they were originally presented in some cases was also a huge help in understanding his voice. Warhol's artistic vision, rather than hot hits, really shine in this exhibition. It was an absolute pleasure and education.” -Amie Potsic

SFMOMA

SFMOMA

Artwork by Louis Bourgoise

Artwork by Louis Bourgoise

Artwork by Andy Warhol

Artwork by Andy Warhol

Artwork by Andy Warhol

Artwork by Andy Warhol

Artwork by Andy Warhol

Artwork by Andy Warhol

SFMOMA

SFMOMA

The Armory Show NYC 2019

Friday March 8, 2019

We attended The Armory Show at Pier 92 in NYC to take in dynamic international contemporary art galleries and impressive artists from across the globe. We’ve gathered some of our favorite highlights in the show, but one of our favorites was attending the Armory Live: From Investment to Connoisseurship - Debating Major Shifts in Collecting Talk.

Armory Live: From Investment to Connoisseurship - Debating Major Shifts in Collecting Talk photograph by Amie Potsic

Armory Live: From Investment to Connoisseurship - Debating Major Shifts in Collecting Talk
photograph by Amie Potsic

Sadie Barnett at Charlie James Gallery's Booth, photograph by Amie Potsic

Sadie Barnett at Charlie James Gallery's Booth, photograph by Amie Potsic

Officine dell’immagine of Milan, Italy's Booth, photograph by Amie Potsic

Officine dell’immagine of Milan, Italy's Booth, photograph by Amie Potsic

303 Gallery's Booth, photograph by Amie Potsic

303 Gallery's Booth, photograph by Amie Potsic

Out and About: NYC March 2019

Wednesday, March 13, 2019

Gagosian Gallery, Chelsea, NY, Artwork by Mark Grotjahn, photograph by Amie Potsic copyright 2018

Gagosian Gallery, Chelsea, NY, Artwork by Mark Grotjahn, photograph by Amie Potsic copyright 2018

Joanne Artman Gallery, Chelsea, NY, Artwork by Crash, photograph by Amie Potsic copyright 2018

Joanne Artman Gallery, Chelsea, NY, Artwork by Crash, photograph by Amie Potsic copyright 2018

Being: New Photography 2018, Museum of Modern Art, NY, photograph by Amie Potsic copyright 2018

Being: New Photography 2018, Museum of Modern Art, NY, photograph by Amie Potsic copyright 2018

Lisson Gallery, Chelsea, NY, Artwork by Stanley Whitney, photograph by Amie Potsic copyright 2018

Lisson Gallery, Chelsea, NY, Artwork by Stanley Whitney, photograph by Amie Potsic copyright 2018

COMPREHENSIVE APPRAISAL STUDIES PROGRAM (CASP)

Appraisers Association of America (AAA)
New York, NY
Wednesday March 27, 2019

International Print Center of New York (IPCNY), New Prints 2019: Forms of Enclosure,, Photograph by Amie Potsic

International Print Center of New York (IPCNY), New Prints 2019: Forms of Enclosure,, Photograph by Amie Potsic

As part of the CASP program, Amie Potsic attended courses in New York in fine art appraisals with hands-on components and independent art research at institutions, galleries, and auction houses.  

Christie's New York, Asia Week, Asian Art Auctions, Detail of Chinese carved table, Photograph by Amie Potsic

Christie's New York, Asia Week, Asian Art Auctions, Detail of Chinese carved table, Photograph by Amie Potsic

Museum of Modern Art (MOMA), Film Footage of Balanchine Ballet Rehearsal, Photograph by Amie Potsic

Museum of Modern Art (MOMA), Film Footage of Balanchine Ballet Rehearsal, Photograph by Amie Potsic

Museum of Modern Art (MOMA), The Value of Good Design, photograph by Amie Potsic

Museum of Modern Art (MOMA), The Value of Good Design, photograph by Amie Potsic

Special Advisory Announcement!

COMPREHENSIVE APPRAISAL STUDIES PROGRAM (CASP)
Appraisers Association of America (AAA)
New York, NY

Fair Critics (Detail), 1887 by Charles Courtney Curran in gilded frame at the Metropolitan Museum of Art, Photograph by Amie Potsic

Fair Critics (Detail), 1887 by Charles Courtney Curran in gilded frame
at the Metropolitan Museum of Art, Photograph by Amie Potsic

March 31, 2019

We are thrilled to announce that Amie Potsic has successfully passed the Uniform Standards of Professional Appraisal Practice (USPAP) exam, which denotes compliance with the highest standards of professionalism required by The Appraisal Foundation.  This course was completed as part of the CASP program.

The Appraisers Association of America's CASP program involves online and in-person classes in New York with hands-on programs taught by leading experts in the field institutions including the Metropolitan Museum of Art.

Out and About: DISTORT Studio Visit on March 15, 2019

Friday, March 15, 2019

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

"I had an amazing studio visit and mural tour with DISTORT in Jersey City a few weeks ago.  It was a great opportunity to see his ambitious new work.  I also loved seeing his earlier paintings on spray cans and etchings on vintage car hoods in the studio space with the new work. Viewing his sculptures in the studio with hundreds of spray cans stored behind them in beautiful groupings of color underscores the thread between his fine art and graffiti. 

I've been following DISTORT's work for a number of years and am always impressed anew.  After discussing the direction of his new work and the construction challenges it presents, he drove me to see some of his murals in Jersey City.  Seeing his largest mural was staggering.  Beyond being gargantuan in covering practically a city-block-sized-building, the composition, narrative, and emotive qualities of the work were captivating.  I love studio visits!  With an artist like DISTORT, being behind the scenes is all the more enjoyable for the intellectual rigor, rough-hewn edges, and raw ambition."  - Amie Potsic

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

DISTORT's Studio, Jersey City, NJ, Artwork by DISTORT, photograph by Amie Potsic

Frieze Art Fair NYC 2018

FRIEZE ART FAIR 2018
Thursday, May 3, 2018

Frieze Art Fair, New York 2018

Frieze Art Fair, New York 2018

We attended Frieze Art Fair on Randals Island, NYC, to take in compelling international contemporary art galleries and impressive artists from across the globe.  There were many highlights, but the best was having the opportunity to participate in a performance at the fair with Anton Kern Gallery.  Along with a group of volunteers, I marched in a procession-protest supporting women's rights by Dutch-American artist Lara Schnitger called Suffragette City.  It was insightful and exciting to go from spectator to performer at one of the most impactful art fairs in the world.

Frieze Art Fair, New York 2018

Frieze Art Fair, New York 2018

Artist Lara Schnitger directing volunteers before performance.

Artist Lara Schnitger directing volunteers before performance.

Procession performance.

Procession performance.

Anton Kern Gallery's booth at Frieze,

Anton Kern Gallery's booth at Frieze,